Sony FX3
Our A-cam. Full-frame cinema body in a compact hybrid form. Outstanding low light, 4K 120p, dual base ISO.
What’s in my bag
Every piece here earns its place. We shoot with it, we’ve tested the alternatives, and it’s what we’d buy again tomorrow. Links below are to the retailers we actually use.
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Our A-cam. Full-frame cinema body in a compact hybrid form. Outstanding low light, 4K 120p, dual base ISO.
Our B-cam. Matches FX3 color science. Perfect run-and-gun companion.
The workhorse zoom. 90% of our brand work is shot on this lens.
Telephoto for cinematic compression — interviews, events, reels, anything that needs that creamy background.
Two-channel wireless lav with 32-bit float recording. Never blow audio again.
On-camera shotgun for ambient and b-roll audio. Clean low end for the price.
Bi-color workhorse. Powers any interior, any interview, any time.
Pocket RGB pad. Accent light, practical, emergency fill — always in the bag.
Heavy-duty gimbal that handles every rig we throw at it — FX3 + 70-200 included.
Full kit + laptop + change of clothes — the only bag we fly with.
Reliable CFexpress Type A cards for 4K 120p on the FX3. Never lost a clip.
Working drive for on-set offload. Fast, bus-powered, shockproof.